Archive for August, 2013

posted by shelly on Aug 31

Question by J J: Can you sue a judge who is obviously biased?
I have a civil suit against a church in the state of FL. It went to court and throughout all the court proceedings the judge was obviously biased and doing everything he could to hinder our case against the church. I am not sure if he somehow has a part in that church (seeing as they are massive and have their fingers everywhere) or if the church has leverage on him (which I wouldn’t doubt after watching lead pastors lie under oath) or what but either way he did everything he could to deny our objections and sustain frivolous objections by the church and some times even object himself in favor of the church. In the end the jury saw through the obvious lies of the church and awarded more than what we asked for. We now have been going through the steps of the church’s motion for a new trial. They’re grounds for a new trial were that a couple of the jurors had previous litigation they did not disclose on their juror selection form (which were lemon law suits and foreclosures) which they did not know needed to be included. My lawyers did their best, but in the end the judge granted them a new trial on those grounds. So after all that my question is this can a judge be sued for being blatantly biased and not impartial? My lawyer has told me that if the appellate courts uphold the decision (which I do not believe they will because we have 4 separate case laws to support our side almost to the t) and we have to have a new trial he will ask that the judge recant himself from the new trial. Is that the most that can be done?
Ok both of your answer are completely ridiculous. I have a serious question and no I am NOT looking for easy money. I was seriously injured due to the negligence of this church. The jury saw that even with the judges actions and awarded me the money. This judge is still doing everything he can to be sure the church does not have to pay a dime to me. I want this judge to get wants coming to him and want him to pay for his actions whether it be in a monetary sense or even if he gets disbarred. I do not care this judge is corrupt and biased and does not need to be practicing law.

Best answer:

Answer by MikeTL
You have written 3 questions and all 3 questions have to do with Lawsuits. I am betting that you are looking for easy money.

No you cannot sue a judge, they are exempt from law suits. You can file an appeal.

Know better? Leave your own answer in the comments!

posted by shelly on Aug 31

Arrested or Charged with a Crime? Being arrested or accused of a crime can be a terrifying and overwhelming experience. It can be a life-changing event, whic…
Video Rating: 0 / 5

posted by shelly on Aug 31

A few nice legal forms images I found:

Squat Sounds *
legal forms

Image by Sterneck

The Honkies (London, England) – 1993
(Andy Diagram, Caroline Kraabel, Kathy Hulme, Richard Harrison)
Live at
Autonomes Kulturzentrum Metzgerstrasse Hanau

.

SQUAT – SOUNDS *

AUTONOMES KULTURZENTRUM HANAU
(Besetztes Haus / Metzgerstrasse-Squat in Hanau / Germany).

Photographs 1987-1994

– Please scroll down for english and german info) –

The Squat – Photos:
www.flickr.com/photos/sterneck/sets/72157627799174125

Squating the Parliament (1988):
www.flickr.com/photos/sterneck/sets/72157627923787960

Concert-Photos 1987-1988:
www.flickr.com/photos/sterneck/sets/72157627799191443

Concert-Photos 1989-1990:
www.flickr.com/photos/sterneck/sets/72157627923799072

Concert-Photos 1991-1992:
www.flickr.com/photos/sterneck/sets/72157627923811302

Concert-Photos 1993-1994:
www.flickr.com/photos/sterneck/sets/72157627923815978

– Concert-Photos 1993-1994:
Billy Tipton Memorial Saxophone Quartet (Seattle, USA) – 1993
Deo Cadaver (Lausanne, Switzerland) – 1993
Hadayatullah Hübsch (Frankfurt, Germany) – 1993
In den Wolken schwebende Gänse II (Hanau, Germany) – 1993
Inox Kapell (Wiesbaden, Germany) – 1994
Left Hand Right Hand (London?, England) – 1994
Orchestre Murphy (London, England) – 1993
Peter Brötzmann (Wuppertal, Germany) – 1991
Pszychisz Teror (Zurich, Schweiz) – 1993
Rabenhirn (Frankfurt, Germany) – 1994
Schwartzeneggar (London, England) – 1993
Strelnikoff (Ljubljana, Slovenia) – 1993
Steve Ignorant (London, England) – 1993
Substanz T (Frankfurt, Germany) – 1994
The Honkies (London, England) – 1993
….. and Friends and …..
………

There were a lot more bands playing in the squat.
If you have photographs or recordings – please get in contact:
contact@sterneck.net
Thanx! *

– * –

THE SQUATED AUTONOMOUS CULTURE CENTER
METZGERSTRASSE / HANAU

In December 1986 some people in Hanau (Germany) decided to squat a house that had been empty for a long time, Metzgerstraße 8. They restored it and filled this free space with a new life.

Soon it became an ’Autonomous Culture-Center’ for the people and by the people, and also a focal point for a solidaric projects and for the resistance against ruling systems in all their repressive forms. The center has had a long history of attempts to establish a self-determined culture-center in Hanau, although it has always been repressed by the local city council.

The basic forum of the center is the ”squatter meeting,” which is open to everyone who has an interest in the squat as a counter-cultural free space. Decisions are made on the consent principle, which means that they try to find a decision that can be supported by everyone. Many activists in the squat, but not all, describe themselves as members of the autonomy movement, which connects anarchist, communist and feminist ideas.

At the moment there are a lot of projects, groups, and events that take place in the center. Everything is done on a do-it-yourself and nonprofit basis; no one receives money for her or his work. Solidarity, trust and self-determination are the basis for all work. Here are some examples:

– The ’Infoladen’ (Infoshop): The Infoshop is an opportunity to get information that can’t be found in the normal bourgeois media. There are a lot of autonomous, left radical and feminist leaflets, brochures and newspapers available. There is also a small media center and an archive that includes material on topics like anti-fascism, atomic politics, women’s liberation, internationalism, etc.

– The ’Volxküche’ (Peoples Kitchen): Frequently people from the community cook a vegetarian meal that is available for a small price. The idea behind this is to overcome isolation between people and the patriarchal roles typical in the kitchen, and, of course, to provide a good tasting meal for many people.

– The Concerts: Concerts in the center are organized, and absolutely dedicated to the principle of working in a self-determined way without a manager, an agency, or even a contract. The bands that play in the squat should have a mutual relation to the ideas of the center. There are no musical limits: Local punk bands have played there as well as jazz bands from North-America and Avantguarde projects from Eastern Europe. Some of the performances have been released on tapes and records.

In a way, the things that happen between the people in the center are more important than the events: changes in behavior, opportunities to live together without hierarchical structures, and new ways of relating. Although the squat is like an island in some ways, it’s far from a concrete utopia. Problems in interpersonal relations exist, as well as differences between ideals and real behaviour.

If people want to go alternative ways, the authorities try to stop them. In Hanau the local city council has said for a long time that none of the things the squatters do and organize represent culture. They decided in parliament that the center was to be closed and torn down without an alternative. In place of the squat, they planned to build five parking places. A decision that is very symbolic and characteristic. Certainly, the real aim was to destroy the ideas and the structures this center stands for.

The answer of the supporters of the Autonomous Culture-Center was the squatting of the parliament of the city. The politicians went out of the building and the squatters voted for the continuation of the center.

Up to now the authorities have not been able to realize their plans for various reasons. On the one hand there are many people who support the squat. There are also legal difficulties around closing it, and they are afraid of the resistance and activities that could take place after closing the squat.

But even if they evict the center, they can’t repress the ideas that the squat stands for. It’s about a self-determined culture and a self-determined life. It’s about dreams and ideals. It’s about consequence and change, here and now.

Wolfgang Sterneck, 2001.

Autonomes Kulturzentrum
Metzgerstrasse 8, D-63450 Hanau, Germany.

Autonomes Kulturzentrum Metzgerstraße:
www.metzgerstrasse-hanau.org
de-de.facebook.com/people/Metzgerstrasse-Acht-Hanau/10000…
www.myspace.com/metzgerstrasse
www.sterneck.net/squat

Info on the Project of John Cage and Sterneck / KomistA in benefit of the squat:
www.sterneck.net/john-cage/metzgerstrasse-e

– * –

SUBVERSIVE SOUNDS *

Konzerte im Autonomen Kulturzentrum Hanau.

Das besetzte Haus

Im Dezember 1986 kam es in Hanau zur Besetzung eines ehemaligen Nachtclubs in der Metzgerstraße 8. Das Gebäude, das zuvor über Jahre hinweg leer stand, wurde renoviert, neu gestaltet, umbenannt und wird seitdem als Autonomes Kulturzentrum genutzt. Das Ziel der Besetzung war es, einen Freiraum zu schaffen, in dem die Vorstellung einer autonomen Kultur wie auch die Wiederaneignung des entfremdeten Alltags konkret umsetzbar wird.

Vor diesem Hintergrund gelang es, ein Zentrum zu entwickeln, in dem solidarisches Handeln, kollektives Leben und politische Identität auf vielen Ebenen verschmelzen oder sich zumindest annähern. Die Metzgerstraße wurde dadurch zu einem wichtigen Bezugspunkt von dem auf verschiedenen Ebenen vielschichtige politische, soziale und kulturelle Impulse ausgingen.

Im Laufe der Jahre entstanden vielfältige Projekte wie die Volxküche (Essen zum Selbstkostenpreis), der Infoladen (Aktuelle politische Informationen und Archiv) und das Basta-Cafe (Treffpunkt und Sozialberatung). Die politischen Schwerpunkte der im Kulturzentrum aktiven Gruppen liegen unter anderen in den Bereichen ‘Internationale Solidarität’, Antifaschismus und ‘Soziale Veränderung’.

Die Entscheidungen innerhalb des Kulturzentrums werden basisdemokratisch nach dem Konsensprinzip getroffen. Alle Aktivitäten basieren auf einer idealistischen Grundhaltung. Keine Person aus dem Zentrum erhält für ihre Tätigkeiten eine finanzielle Entlohnung.

Selbstbestimmte Kultur ohne Kommerz

Musik hatte von Anfang an in der Metzgerstraße eine besondere Bedeutung. Über das Musikhören hinaus machen viele AktivistInnen selbst Musik, veröffentlichen eigene Aufnahmen oder organisieren Konzerte. Im Sinne des DIY-Prinzipes (‘Do it Yourself’) werden die Auftritte im direkten Kontakt mit den MusikerInnen ohne Konzertagenturen und auch ohne Verträge auf völlig nichtkommerzieller Basis organisiert.

Eine Grundlage bildet ein solidarisches Verhältnis der MusikerInnen zur Metzgerstraße, was sich unter anderem auch in der Gage ausdrückt, die sich in der Regel auf die für die Band entstandenen Unkosten und die Verpflegung beschränkt. Der Eintrittspreis ist so ausgerichtet, dass er für alle interessierten Personen erschwinglich ist und die anfallenden Kosten deckt bzw. im Rahmen von Benefiz-Konzerten bestimmte Projekte unterstützt.

Freiräume statt Parkplätze

Während der ehemalige sozialdemokratische Kulturdezernat Hanaus davon sprach, dass in der Metzgerstraße keine Kultur stattfindet, bildete dass selbstorganisierte Zentrum durch die Auftritte von Bands aus Westeuropa und Nordamerika einen im Hanauer Kulturleben herausragenden internationalen Bezugspunkt. Die musikalische Bandbreite umfasst unter anderem Rockmusik in den verschiedensten Schattierungen, Punk, Hardcore, Folk und Jazz, sowie experimentelle und improvisierte Musik. Lokale Nachwuchsbands traten im Laufe der Jahre genauso auf wie renommierte Gruppen aus unterschiedlichsten Ländern. Einen Kultcharakter erlangten zudem die Nachtcafe-Sessions, an denen jeder und jede teilnehmen konnte.

Die Aufnahmen einiger Konzerte wurden später auf verschiedenen Tonträgern veröffentlicht. 1992 kam es daneben zur Veröffentlichung eines der Metzgerstraße gewidmeten Stücks des Avantgarde-Komponisten John Cage.

In den Anfangsjahren plante der Hanauer Magistrat das Haus nach einer Räumung abreißen zu lassen, um dort stattdessen fünf Parkplätze zu errichten. Die Kulturpolitik des Magistrates entlarvte sich dadurch in einer kaum zu übertreffenden symbolhaften Weise selbst. Das Vorhaben wurde jedoch nicht zuletzt in Folge einer Besetzung des Stadtparlamentes durch Unterstützerinnen des Kulturzentrums nicht weiter verfolgt.

Rund 25 Jahre nach der Besetzung wird das Haus weiterhin als Kulturzentrum genutzt. Im ansonsten auf Konsum und Kommerz ausgerichteten Stadtzentrum Hanaus ist es mit seinen vielfältigen Projekten kreativer wie auch subversiver Freiraum.

Wolfgang Sterneck, September 2011.

Autonomes Kulturzentrum Metzgerstraße:
www.metzgerstrasse-hanau.org
de-de.facebook.com/people/Metzgerstrasse-Acht-Hanau/10000…
www.myspace.com/metzgerstrasse
www.sterneck.net/squat

Eine ausführliche Beschreibung der Geschichte des Kulturzentrums:
Freiräume entwickeln – Das besetzte autonome Kulturzentrum Metzgerstraße Hanau
www.sterneck.net/squat/metzgerstrasse-d

English Info:
The squated Autonomous Culture Center Metzgerstrasse Hanau
www.sterneck.net/squat/metzgerstrasse-e

Infos zum Benefiz-Projekt von John Cage und Sterneck / KomistA für das Kulturzentrum:
www.sterneck.net/john-cage

– * –

Squat Sounds *
legal forms

Image by Sterneck

The Honkies (London, England) – 1993
(Andy Diagram, Caroline Kraabel, Kathy Hulme, Richard Harrison)
Live at
Autonomes Kulturzentrum Metzgerstrasse Hanau

.

SQUAT – SOUNDS *

AUTONOMES KULTURZENTRUM HANAU
(Besetztes Haus / Metzgerstrasse-Squat in Hanau / Germany).

Photographs 1987-1994

– Please scroll down for english and german info) –

The Squat – Photos:
www.flickr.com/photos/sterneck/sets/72157627799174125

Squating the Parliament (1988):
www.flickr.com/photos/sterneck/sets/72157627923787960

Concert-Photos 1987-1988:
www.flickr.com/photos/sterneck/sets/72157627799191443

Concert-Photos 1989-1990:
www.flickr.com/photos/sterneck/sets/72157627923799072

Concert-Photos 1991-1992:
www.flickr.com/photos/sterneck/sets/72157627923811302

Concert-Photos 1993-1994:
www.flickr.com/photos/sterneck/sets/72157627923815978

– Concert-Photos 1993-1994:
Billy Tipton Memorial Saxophone Quartet (Seattle, USA) – 1993
Deo Cadaver (Lausanne, Switzerland) – 1993
Hadayatullah Hübsch (Frankfurt, Germany) – 1993
In den Wolken schwebende Gänse II (Hanau, Germany) – 1993
Inox Kapell (Wiesbaden, Germany) – 1994
Left Hand Right Hand (London?, England) – 1994
Orchestre Murphy (London, England) – 1993
Peter Brötzmann (Wuppertal, Germany) – 1991
Pszychisz Teror (Zurich, Schweiz) – 1993
Rabenhirn (Frankfurt, Germany) – 1994
Schwartzeneggar (London, England) – 1993
Strelnikoff (Ljubljana, Slovenia) – 1993
Steve Ignorant (London, England) – 1993
Substanz T (Frankfurt, Germany) – 1994
The Honkies (London, England) – 1993
….. and Friends and …..
………

There were a lot more bands playing in the squat.
If you have photographs or recordings – please get in contact:
contact@sterneck.net
Thanx! *

– * –

THE SQUATED AUTONOMOUS CULTURE CENTER
METZGERSTRASSE / HANAU

In December 1986 some people in Hanau (Germany) decided to squat a house that had been empty for a long time, Metzgerstraße 8. They restored it and filled this free space with a new life.

Soon it became an ’Autonomous Culture-Center’ for the people and by the people, and also a focal point for a solidaric projects and for the resistance against ruling systems in all their repressive forms. The center has had a long history of attempts to establish a self-determined culture-center in Hanau, although it has always been repressed by the local city council.

The basic forum of the center is the ”squatter meeting,” which is open to everyone who has an interest in the squat as a counter-cultural free space. Decisions are made on the consent principle, which means that they try to find a decision that can be supported by everyone. Many activists in the squat, but not all, describe themselves as members of the autonomy movement, which connects anarchist, communist and feminist ideas.

At the moment there are a lot of projects, groups, and events that take place in the center. Everything is done on a do-it-yourself and nonprofit basis; no one receives money for her or his work. Solidarity, trust and self-determination are the basis for all work. Here are some examples:

– The ’Infoladen’ (Infoshop): The Infoshop is an opportunity to get information that can’t be found in the normal bourgeois media. There are a lot of autonomous, left radical and feminist leaflets, brochures and newspapers available. There is also a small media center and an archive that includes material on topics like anti-fascism, atomic politics, women’s liberation, internationalism, etc.

– The ’Volxküche’ (Peoples Kitchen): Frequently people from the community cook a vegetarian meal that is available for a small price. The idea behind this is to overcome isolation between people and the patriarchal roles typical in the kitchen, and, of course, to provide a good tasting meal for many people.

– The Concerts: Concerts in the center are organized, and absolutely dedicated to the principle of working in a self-determined way without a manager, an agency, or even a contract. The bands that play in the squat should have a mutual relation to the ideas of the center. There are no musical limits: Local punk bands have played there as well as jazz bands from North-America and Avantguarde projects from Eastern Europe. Some of the performances have been released on tapes and records.

In a way, the things that happen between the people in the center are more important than the events: changes in behavior, opportunities to live together without hierarchical structures, and new ways of relating. Although the squat is like an island in some ways, it’s far from a concrete utopia. Problems in interpersonal relations exist, as well as differences between ideals and real behaviour.

If people want to go alternative ways, the authorities try to stop them. In Hanau the local city council has said for a long time that none of the things the squatters do and organize represent culture. They decided in parliament that the center was to be closed and torn down without an alternative. In place of the squat, they planned to build five parking places. A decision that is very symbolic and characteristic. Certainly, the real aim was to destroy the ideas and the structures this center stands for.

The answer of the supporters of the Autonomous Culture-Center was the squatting of the parliament of the city. The politicians went out of the building and the squatters voted for the continuation of the center.

Up to now the authorities have not been able to realize their plans for various reasons. On the one hand there are many people who support the squat. There are also legal difficulties around closing it, and they are afraid of the resistance and activities that could take place after closing the squat.

But even if they evict the center, they can’t repress the ideas that the squat stands for. It’s about a self-determined culture and a self-determined life. It’s about dreams and ideals. It’s about consequence and change, here and now.

Wolfgang Sterneck, 2001.

Autonomes Kulturzentrum
Metzgerstrasse 8, D-63450 Hanau, Germany.

Autonomes Kulturzentrum Metzgerstraße:
www.metzgerstrasse-hanau.org
de-de.facebook.com/people/Metzgerstrasse-Acht-Hanau/10000…
www.myspace.com/metzgerstrasse
www.sterneck.net/squat

Info on the Project of John Cage and Sterneck / KomistA in benefit of the squat:
www.sterneck.net/john-cage/metzgerstrasse-e

– * –

SUBVERSIVE SOUNDS *

Konzerte im Autonomen Kulturzentrum Hanau.

Das besetzte Haus

Im Dezember 1986 kam es in Hanau zur Besetzung eines ehemaligen Nachtclubs in der Metzgerstraße 8. Das Gebäude, das zuvor über Jahre hinweg leer stand, wurde renoviert, neu gestaltet, umbenannt und wird seitdem als Autonomes Kulturzentrum genutzt. Das Ziel der Besetzung war es, einen Freiraum zu schaffen, in dem die Vorstellung einer autonomen Kultur wie auch die Wiederaneignung des entfremdeten Alltags konkret umsetzbar wird.

Vor diesem Hintergrund gelang es, ein Zentrum zu entwickeln, in dem solidarisches Handeln, kollektives Leben und politische Identität auf vielen Ebenen verschmelzen oder sich zumindest annähern. Die Metzgerstraße wurde dadurch zu einem wichtigen Bezugspunkt von dem auf verschiedenen Ebenen vielschichtige politische, soziale und kulturelle Impulse ausgingen.

Im Laufe der Jahre entstanden vielfältige Projekte wie die Volxküche (Essen zum Selbstkostenpreis), der Infoladen (Aktuelle politische Informationen und Archiv) und das Basta-Cafe (Treffpunkt und Sozialberatung). Die politischen Schwerpunkte der im Kulturzentrum aktiven Gruppen liegen unter anderen in den Bereichen ‘Internationale Solidarität’, Antifaschismus und ‘Soziale Veränderung’.

Die Entscheidungen innerhalb des Kulturzentrums werden basisdemokratisch nach dem Konsensprinzip getroffen. Alle Aktivitäten basieren auf einer idealistischen Grundhaltung. Keine Person aus dem Zentrum erhält für ihre Tätigkeiten eine finanzielle Entlohnung.

Selbstbestimmte Kultur ohne Kommerz

Musik hatte von Anfang an in der Metzgerstraße eine besondere Bedeutung. Über das Musikhören hinaus machen viele AktivistInnen selbst Musik, veröffentlichen eigene Aufnahmen oder organisieren Konzerte. Im Sinne des DIY-Prinzipes (‘Do it Yourself’) werden die Auftritte im direkten Kontakt mit den MusikerInnen ohne Konzertagenturen und auch ohne Verträge auf völlig nichtkommerzieller Basis organisiert.

Eine Grundlage bildet ein solidarisches Verhältnis der MusikerInnen zur Metzgerstraße, was sich unter anderem auch in der Gage ausdrückt, die sich in der Regel auf die für die Band entstandenen Unkosten und die Verpflegung beschränkt. Der Eintrittspreis ist so ausgerichtet, dass er für alle interessierten Personen erschwinglich ist und die anfallenden Kosten deckt bzw. im Rahmen von Benefiz-Konzerten bestimmte Projekte unterstützt.

Freiräume statt Parkplätze

Während der ehemalige sozialdemokratische Kulturdezernat Hanaus davon sprach, dass in der Metzgerstraße keine Kultur stattfindet, bildete dass selbstorganisierte Zentrum durch die Auftritte von Bands aus Westeuropa und Nordamerika einen im Hanauer Kulturleben herausragenden internationalen Bezugspunkt. Die musikalische Bandbreite umfasst unter anderem Rockmusik in den verschiedensten Schattierungen, Punk, Hardcore, Folk und Jazz, sowie experimentelle und improvisierte Musik. Lokale Nachwuchsbands traten im Laufe der Jahre genauso auf wie renommierte Gruppen aus unterschiedlichsten Ländern. Einen Kultcharakter erlangten zudem die Nachtcafe-Sessions, an denen jeder und jede teilnehmen konnte.

Die Aufnahmen einiger Konzerte wurden später auf verschiedenen Tonträgern veröffentlicht. 1992 kam es daneben zur Veröffentlichung eines der Metzgerstraße gewidmeten Stücks des Avantgarde-Komponisten John Cage.

In den Anfangsjahren plante der Hanauer Magistrat das Haus nach einer Räumung abreißen zu lassen, um dort stattdessen fünf Parkplätze zu errichten. Die Kulturpolitik des Magistrates entlarvte sich dadurch in einer kaum zu übertreffenden symbolhaften Weise selbst. Das Vorhaben wurde jedoch nicht zuletzt in Folge einer Besetzung des Stadtparlamentes durch Unterstützerinnen des Kulturzentrums nicht weiter verfolgt.

Rund 25 Jahre nach der Besetzung wird das Haus weiterhin als Kulturzentrum genutzt. Im ansonsten auf Konsum und Kommerz ausgerichteten Stadtzentrum Hanaus ist es mit seinen vielfältigen Projekten kreativer wie auch subversiver Freiraum.

Wolfgang Sterneck, September 2011.

Autonomes Kulturzentrum Metzgerstraße:
www.metzgerstrasse-hanau.org
de-de.facebook.com/people/Metzgerstrasse-Acht-Hanau/10000…
www.myspace.com/metzgerstrasse
www.sterneck.net/squat

Eine ausführliche Beschreibung der Geschichte des Kulturzentrums:
Freiräume entwickeln – Das besetzte autonome Kulturzentrum Metzgerstraße Hanau
www.sterneck.net/squat/metzgerstrasse-d

English Info:
The squated Autonomous Culture Center Metzgerstrasse Hanau
www.sterneck.net/squat/metzgerstrasse-e

Infos zum Benefiz-Projekt von John Cage und Sterneck / KomistA für das Kulturzentrum:
www.sterneck.net/john-cage

– * –

posted by shelly on Aug 31

http://divorcelawyer.abudhabiarea.com/ Our attorneys handle the full spectrum of family law cases, including: Divorce, Custody and visitation,Child support,P…

posted by shelly on Aug 30

What do you do if the new puppy or kitten you bought turns out to be sick? Consumer Lawyer Eric Seidel gives you the rundown of Florida’s Pet Lemon Law. You …
Video Rating: 0 / 5

posted by shelly on Aug 30

If you have been injured in an accident, Goldberg & Osborne (www.1800theeagle.com) is here to help. Our AZ auto accident law firm handles all types of vehicl…
Video Rating: 5 / 5

For more information visit http //www.ashevilleinjurylawyer.com or call 828.505.4300. Fisher Stark Cash is a personal injury law firm located in Asheville, N…
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posted by shelly on Aug 30

Question by Concrete Cowboy: Is it me or is it weird William Shatner is promoting a local law firm in Alabama called The Mike Slocum Law f?
He’s a BIG star so what is he hawking The Mike Slocum Law Firm? It’s not a national law firm covering the USA from coast to coast.Please no jokes.

Best answer:

Answer by feanor
He taking his endorsing fee.
They’re banking on his role as Denny Crane on Boston Legal.

What do you think? Answer below!

posted by shelly on Aug 30

The Tokyo Public Law Office opened a new branch office to offer legal assistance for foreigners in a variety of languages. http://injapan.gaijinpot.com/?p=57…
Video Rating: 5 / 5

EXECUTIVE ORDER, NATIONAL DEFENSE RESOURCES PREPAREDNESS http://www.whitehouse.gov/the-press-office/2012/03/16/executive-order-national-defense-resources-pre…
Video Rating: 5 / 5

posted by shelly on Aug 29

http://www.legalbistro.com. Are you seeking new clients but are dissatisfied with the return on your law firm marketing dollars for other forms of online adv…

posted by shelly on Aug 29

Question by aditya: Is there any law in India which authorizes the Indian Physiotherapists to use the prefix Doctor?
How can Physiotherapist use the prefix doctor to their name when there is no legal body or any law which permits them to do so?Why is the law of the country not waking up and bans Indian Association of Physiotherapists (IAP) which misguides the physiotherapist and the general public by saying that physiotherapists are doctors?Who has authorized IAP to misguide the public of India?

Best answer:

Answer by adel a
As I know no

Give your answer to this question below!